Why Detective Conan Movies Are Starting to Feel Repetitive
If you're a long-time fan of the Detective Conan franchise, you've probably noticed a pattern in the annual movie releases. And let's be honest—aren't these movies starting to feel a bit... predictable?
Every year, we get hyped for a new Conan the Movie title, but the structure rarely strays from its formula. The themes, the plot flow, and even the scenes feel like déjà vu. In fact, these movies generally revolve around just three main themes: the Black Organization, Kaito Kid, and "travel stories" or city-based adventures.
Let’s break it down. First, each movie usually starts with the introduction of a new high-tech, luxurious building. Whether it's an amusement park, a skyscraper, or a next-generation public facility, it’s always shiny, new, and gets a huge grand opening. And guess what? That shiny new marvel of engineering is destined to be destroyed by the end of the movie. It has become a running joke at this point.
Detective Boys group
These scenes almost always involve the kids from the Detective Boys group, and often Sonoko tags along for comedic effect. The scriptwriters seem to enjoy putting them in danger, only for Conan to come to the rescue in an overly dramatic action sequence. Cue slow motion explosions and high-speed chases.
Then we have Professor Agasa. Without fail, he shows up early in the movie with two things: a riddle or puzzle for the kids to solve (that somehow foreshadows the bigger mystery), and a brand-new gadget he's just invented. These two elements have become such staples that it’s hard to imagine a Conan movie without them.
Cara Berpikir Seperti Edogawa Conan Dari Detective Conan Menurut Islam | Filosofi Anime Conan
Now let’s talk about the Black Organization-themed films. These are supposed to be the darkest and most plot-heavy entries in the franchise. Yet, even here, the formula holds strong. There’s always a "new" member of the Organization introduced, someone we’ve never seen before. And almost always, this character figures out the true identities of Conan and Ai Haibara—that they’re actually children in shrunken bodies. This sounds like a huge deal, right? But by the end of the movie, that Black Organization member is either killed off or disappears mysteriously, as if they were never meant to exist in the long-term narrative.
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It’s this throwaway treatment of serious plot points that makes many of the Conan movies feel non-canon or disconnected from the overarching story. There’s a lack of real consequences, and that weakens the impact of what should be some of the most intense and pivotal moments in the series.
Esplosion in Conan The Movie
And then, of course, there's the climax. Every single movie seems to end with a massive destruction scene. Whether it’s a collapsing skyscraper, a sinking ship, or a full-blown citywide explosion, the budget for CGI destruction must be sky-high. It’s almost as if the filmmakers are contractually obligated to destroy a building in each installment.
Let’s face it—without the nostalgia factor, many of us wouldn’t still be watching these movies. There’s a comfort in knowing what to expect, sure, but it also makes the experience less thrilling. The suspense is gone when you already know the general plot structure before the opening credits finish rolling.
That said, not all hope is lost. There are a few exceptions where the storytelling and character development actually shine through. Take Movie 26 and Movie 21, for example. These two stand out because they put Ai Haibara in a more central role. Her character development and emotional stakes brought something fresh to the formula. Unlike the usual "save Ran" trope that dominates many of the earlier films, these entries gave us something new—depth, vulnerability, and tension that wasn’t just about blowing stuff up.
When the focus shifts from grandiose set pieces to actual emotional growth and character interaction, Conan movies can still deliver a powerful punch. They remind us why we fell in love with the series in the first place: the mystery, the brains-over-brawn solutions, and the complex relationships between characters.
In conclusion, while Detective Conan movies still provide entertainment and nostalgia, they’re undeniably stuck in a creative loop. The formulaic nature—the techy building, the Detective Boys' adventure, Agasa’s puzzles, the throwaway villains—has turned once-anticipated films into predictable spectacles. Unless future movies start to take more creative risks, explore fresh storylines, or break away from the same old structure, many fans might start tuning out.
Let’s hope that the next installment dares to break the mold. Maybe—just maybe—we’ll get a Conan movie that surprises us again.
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